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Lightscribe – is it worth the effort?

I’ve been away for the last month in the far east, Taiwan. Whilst over there, the home of many of the tech companies that provide the gadgets we love to use, I was tempted beyond my resistance limits to buy some computer hardware. Today I will try and answer the question;  “Lightscribe – is it worth the effort?”

Disc labeling is useful, so most people will keep a CD marker pen next to their disc box for the scrawling of disc name (if you’re organized enough to use a disc cataloging software program) or a contents list of sorts, onto the surface of the disc. For a graphic designer, rather than a calligrapher, this isn’t very satisfactory. So ever since the average computer user has been able to make their own CDs there have been ways to make more professional/designed on CD labels.

I remember using something called ‘PressIt’ about 15 years ago, an awful contraption that was just a plastic spindle with a disc to transfer a printed sticky paper label onto the disc surface. The disc labels came two up on an A4 sheet. I found the paper a bit too thin and poorly surfaced to make a good job. Also the plunger contraption didn’t facilitate perfectly centred and ripple free labeling, so that kit got used about 3 times.

I’ve skipped a generation perhaps, because I’ve never had an inkjet printer that was capable of printing onto the surface of a CD/DVD. But now I have a brand new LG Lightscribe DVD writer and a pack of HP Colour Lightscribe DVD+R.

The first thing I noticed, I knew nothing of the technology before buying this drive, was that colour is just monochrome shades. The 10 pack has 5 shades, you can see in the picture below on the HP top sheet from the pack. Also you can see two of the discs I’ve used. I was in Taiwan using a new computer so I only had a few photos on the computer I could use for a label. I quickly made up these labels in Photoshop as 300dpi images at a size of 12cm x 12cm. On screen I used a circular masking layer so I could see what bits would be cut off during the printing onto disc.

HP Colour Lightscribe discs printed with 300dpi images

The discs look pretty nice on the main picture, but you might have an impression of the slight soft focus on the discs by looking at them and the HP label in comparison.

Scan of disc 1

Let’s look at the quality closer up. This is from my scanner. You can definitely see the softness here, especially in contrast to the plastic/foil markings on the inner ring. It’s a bit like a motion blur or mis-registration from multiple laser passes. Below you can see the original photo section at approximately the same size and rotation. It’s quite a lot sharper.

Original photo detail

For another comparison I’ve changed the pic to similar tones to the green of the disc. Compared to the scan, the colours and tonal range have been matched but it’s not so blurry, the text is much more legible.

Original photo detail colourised

I’ll be using and trying these discs some more, I used the ‘best’ setting in the Cyberlink imaging software and the media is ‘version 1.2‘. The DVDs both took about 19 minutes to etch the images upon.

One thing I might test is to incorporate lines of various weights in an illustrator drawing and print it onto a light scribe disc to test the resolution of the process. The Lightscribe website suggests “When using images from your digital camera or scanner, use the highest resolution possible to yield the best label quality.” From my results I’m guessing that 150dpi would be the most efficient res, my 300dpi image was not necessary – it didn’t benefit with extra sharpness.

Now I might have sounded a bit negative in the review but weighing everything up I think it’s worth having a Lightscribe drive. The discs look nice, the drives are not expensive, the media isn’t much more expensive if you shop around. If you want to add an extra drive or replace an old slow one I’d definitely go for a Lightscribe or Labelflash capable drive.

Cheers, Mark

Halftone effects in Illustrator – 'Raster' review

The Design Reviews logo with 'Raster' effect

The Design Reviews logo + 'Raster'

My first review here on Design Reviews is of a FREE graphics utility (for Windows only, sorry Mac users). It might be free but it’s fantastic and fills a gap not addressed in any of the Adobe suite such as Flash, Illustrator or Photoshop.

Do you like sometimes to use halftone patterns as fills? It’s quite easy to do solid colour (same size dot) patterns but what about variable dot sizes corresponding to lightness and darkness of the images you want to create.

New Jordanian Bridge

New Jordanian Bridge

The program in question is called Raster, it creates dot or square halftone patterns in a vector format which can then be used in your favourite design programs with all the advantages of a vector file (mainly scalability and editability). Now I know there is a Halftone Pattern filter in Photoshop but it’s not at all the same as this. The Photoshop filter doesn’t create vector output, also the dot or line styles are uniform. In Raster the dots size vary with intensity or depth of colour. So for instance with a simple linear gradient the dots will fade from large to small where the gradient would fade from dark to light. Before this program I used to try and do the effect ‘by hand’ which was neither convenient or satisfactory.

Try it for yourself, if you’ve read this and made some Pop Art using Raster and your favourite vector editor please leave a link in the comments below.

Raster Screen Grab

Raster Screen Grab

Cheers, Mark

Design for the music industry

If I’ve got the time and inclination/inspiration I like to design CD covers for the space-rock band “The Ebbs (UK)”. If you go to the main Ebbs Studio site, then go to the music section there are 3 CD covers there with an accompanying MP3; a sample from the CD. I’ve designed several Ebbs CDs but not got music samples prepared for the webpage so they aren’t uploaded yet. On the other hand there are a few Ebbs songs without any CD cover yet. The music section is a bit bare so it needs updating, but so does everything, all the time in this digital age…

The Ebbs music CD covers currently available

The Ebbs music CD covers currently available

If you are interested in CD and LP covers there is a great resource on the web which you might not know about – lpcoverlover.com. This is a great site with some of the most bizarre LP covers you have ever seen.

JPEGs and transparency

Today I had to make a web banner, animated GIF, and it needed to be done in half an hour. That’s OK if you’ve got all the “ingredients” and know what you want to do, or have been told what the animation should do or say. I had a problem though, the client wanted a logo on a blue background but they only had a JPG of the logo, it was therefore in a white square because JPG doesn’t support transparent regions. The white background can be erased in photoshop but it’s not always a quick job. Anyway we settled on having the logo on the far left in it’s white space seperate from the rest of the blue backgrounded banner.

The best kind of logo for the studio to have is usually an “.EPS“, it can be scaled to any size and have transparent regions if necessary. Whoever created your logo originally should have supplied an “.EPS”, it’s also essential for print jobs where you might want to scale up the logo to fit the side of a bus, for example…

Various format images of logos placed on a background

Various format images of logos placed on a background

In the example above you can see the nasty results in full of an inappropriate file format for a logo! If you work in the design industry you’ve probably been supplied a logo as a JPG someone has pulled off a webpage somewhere. Then the client requires it placing on a complex photo background or enlarging to be printed on the side of a skyscraper. Two other side-effects you can see; washed out colours and rough clipping in Quark (or most programs that can auto-clip images/backgrounds).

Photoshop disasters

If you work in the design and print industry you might have seen some photoshop disasters that got past the graphic artists, the account managers, the proof readers, customer checking and into print. Some of these disasters are by HUGE industry names such as Disney, Dior and CBS. There are many screamingly obvious errors in what should be big budget ads produced by teams of highly paid art staff, some are really shocking.
Also a non-photoshop disaster recently in the news, that I enjoyed,  was the newspaper that couldn’t spell it’s own name (on the front page masthead!).